1,327 Royalty-Free Audio Tracks for "A Chord"

En I-ii7-V7-I-progression, sedan samma med V7 tritonussubstituerad.

Harmonized C major scale.

Pretty-sounding mix of layers of verbhitbuildypiece. Wav.

Some bell chords, that can be used for games and stuff like that. Quelques accords avec un son de cloche, à utiliser dans des jeux ou autres.

This is a mono recording of a psaltery. This was recorded as-found with no tuning or cleaning done to the instrument. It is a series of single tones followed by two note chords. Dissonant and full of texture. It was recorded using an audio-technica at875r microphone at 48khz/24bit.

Just some random, bad and sloppy shredding type of playing. Lots of fast notes and some heavy power chords. Call it the lead guitar player having a bad day.

Me playing guitar for fun , hope you liked it !.

Lightful pad with resonant filter going down.

Free use.

The d minor chord on nylon string guitar with open tuning.

Created on garageband with akai midi keys.

Rule of the octave, major scale.

A chord progression illustrating "Tonalität", rather than the strictly diatonic "Tonart".

Dominant seventh in C in first inversion

Augmented triad on D.

tonale Quintfallsequenz mit Dreiklängen und Sextakkorden im Wechsel

Guitar arpeggio recording with ableton live.

Una guitarra acústica tocando las notas mi y la. Grabada con una zoom h6. An acoustic guitar playing the e and a notes. Recorded with a zoom h6.

Dreamy vocal chord made with the "fairlight" preset for sq8l vst. Some reverb added and faded out.

Modest Mussorgsky's Pictures at an Exhibition: "Promenade", chords/chord progression gm: i-VII6-i-VII-v-VII-III-i-IV-IV6-VII Created by Hyacinth (talk) 14:23, 3 November 2011 using Sibelius and Paint. Source: Nattiez (1990). Music and Discourse: Toward a Semiology of Music (Musicologie générale et sémiologue, 1987). Translated by Carolyn Abbate (1990). ISBN 0691027145.(from enwikipedia)

Free use.

A reverse vocal whit some reverb good sound for pad modulated chord.

Recordings of some spanish style licks and chords, used oktava mk-012-01 matched stereo pair and a simple ab split pair (one for body and for neck).

A chord progression loop i pulled from one of my remixes. Made with stacked synth pad and bass layers, and compiled in reaper.

Street pop tunez delivers an amped bass on the electric side for your library. Works in all daws.

A small sample of my classical guitar playing a reggae skank. Could stick this on a sampler and use as a chordal bed for a tune. Might be well coupled with a minor skank playing the root chord and this playing the 7 chord!.

Reverb tail off a synth chord. Used to make pertiverbhitbuiltfrompiece. Wav.

Dark 2 chord progression, dense strings.

The learner chords combined with the learner synth loop.

Suggestion of bitonality in Beethoven's Sonata in E♭ for Piano, Op. 8la.

Mother chordMutterakkord

En I-ii7-V7-I-progression, sedan med V7 tritonussubstituerad

I try to make dark space by electric guitar. . . .

Made in vst host!.

Weird sorta lo-fi type of riff which changes to an almost country type of lick, then it changes again near the end. Middle of the road distortion. Might work as a background noise track in smaller segments.

Simple lil song for you to use.

Pianochord sample through echophon distorted, mimeophon erbe-verb and a little qpas. Rendered in reaper @ 48khz 32 bit with markers for you morphagene fans out there. Enjoy the wobbly bits!.

Giovanni Benedetti's 1563 example of a comma "pump" or drift by a syntonic comma (21.51 cents) during a progression. Common tones between chords are the same pitch, with the other notes tuned in pure intervals to the common tones.

Fun stuff maybe, i think pretty bare sound but this is the sound. . .

3-11B trichord on C.

3-11A trichord on C.

Electric guitar some sloppy a blues, fuzzy and dirt heavy.

Simple type of chord progression, low gain type of distortion with a mild flange effect. Probably good for a break or intro but could be used for more if broken up. Changes tempo and tone near the end into something completely different.

Think of a spaceship launching from a desolate planet with hardly any fuel reserves. Sorta heavy distortion with the right amount of phaser and chord progression. Almost moody and atmospheric.

Just intonation minor chord from maurolupo’s “ahohe” (211961, “girl's voice singing”). Https://www. Freesound. Org/people/maurolupo/sounds/211961/. Used sonic pi to add a minor third (315. 641 cents) and a perfect fifth (701. 955 cents) while maintaining the duration. Code snippet:```sample dir, "ahohe"sample dir, "ahohe", pitch: 3. 15641sample dir, "ahohe", pitch: 7. 01955```.

Self created patch on my korg poly 800 mki (inversed keys, as if that would matter ;)).

An Edison "Perfected" Phonograph cylinder recording of The Lost Chord (composed 1877) by Arthur Sullivan (1842-1900), played on piano and cornet. One of the earliest surviving recordings of music; was played at the press conference that introduced the phonograph to London on August 14 1888. Cuts off slightly before the ending of the song. The recorded version is somewhat abridged (a middle section has been cut, possibly due to time constraints). Overall a well-preserved example of wax cylinder recording technology. Length: 2:07

Synth processed experimental drone ambient atmosphere.

Prometheus scale on C.